Wednesday, 25 October 2023

Cornish Gorse

"Artics" is trade slang for articulated lorries; "scrans" is/are foodstuffs; "Castle Chûn" is really Chûn Castle but rhythm required a reverse; if you choose your spot on Penwith moors you can see the sea to north, south and west. "Q-C" is "Q" - pseudonym of Sir Arthur Quiller-Couch, whose home was in Fowey, which he immortalized as "Troy Town" in a number of hugely readable novels and stories. "Q-C" was required for the rhythm.
   By way of comparison, here is a link to my 1979 free verse poem "The Ridgeway Above Wroughton" posted on this blog on 18 April 2012.

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What is Cornwall but gorse in flower,
   Frothing in sud-clouds hour by hour,
Yellow as butter in honey dipped,
   Come April when the sun’s wide-lipped
And now-hot smile prompts all that lives
   To a vying grapple – one grabs, one gives –
As growth and propagation surge
   And fledglings, flowers and crops emerge?
The moors and heaths are a cloth of gold
   Billowing to tors by the West Wind strolled,
Rising steep above the slatey towns
   Which gaggle their skirts, all greys and browns;
The Western Highway, curved or straight,
   Shadows their contour, always in spate
With artics, cars and tradesmen’s vans
   Packed with goods or tackle or scrans;
They turn off to the pre-fabbed trading parks
   Speared by the rail line with its rushing barques,
Homing on Redruth, Hayle, Penzance,
   As granite-solid as a Scottish manse.
And always pressing is the Western Sea,
   Never distant, especially
At Castle Chûn, high on the droop
   Of Penwith’s toe, where merlins stoop:
Spring-warm blue or gale-scrubbed green,
   Two Channels’ waters leap and preen,
Hugging the land, that south or north,
   From the gorsy heights, you might plunge forth,
Wind-held, and headlong down to dash
   Like Icarus in those waters’ plash.
That gorse in thicket, bush and clump,
   Spiny, dusty, green of rump,
Rears six-foot tall, packing its flanks
   With two-inch spikes: behind their shanks
The chats and linnets, crimson and pink,
   Dodge shadowily, all flutter and jink,
And later, airborne, unstoppable, qweep
   Their twittered water-notes, springs then neap.

Tuesday, 3 October 2023

The Final Watershed

Two other lyrics about the approach of death are "In the Dark of Night," posted on 9 August 2018 and linked here, and "There Is Nothing More Louche," posted on 19 October 2021, linked here.

--------------

   His fifties come and gone
   He noticed little change,
Élan and appetite were good;
   Daily the days were long,
   And graft was fair exchange,
Done handily because he could.

   Then after sixty-three,
   So soon, a clutch of pains
Gave aching hint that all decays;
   A seep in energy,
   Sore hip, raw cuts and sprains,
Were frank that flesh must lose its glaze.

   And now at seventy-one
   Sleep bushwacks every day,
His prostate stings, heart fakes a beat,
   Eyes drip in wind or sun;
   His geist withered to clay,
What’s left but thoughts, some shreds of heat?

   Once, life’s packed call, arms-wide,
   Was goal; now, deathwards, he
Drifts coldly from the rousing young:
   A watershed has dried,
   Its desert holds the key:
At end he will be seed or dung.

===============
© February 2021

"There's Snow Inland but on the Coast Just Frost..."

Between 2019 and 2022 I was writing a series of twelve long poems about the sea and littoral (in fact there's one still to finish) linked to the months of the year. This short piece is an out-take from the poem about January.
   In the first part of my poetic "career," roughly 1973 to 1985 I was very much a city man and cannot recollect a single poem about or related to the sea except "Nightfall at Pagham Rife," written in 1978 and revised in May 2012 to remove much blather, (it was a time when I was greatly impressed by Ted Hughes. No longer!) Pagham is a small village to the west of Bognor Regis; the small streams and rivers about it are called "rifes." I posted the poem on 10 May 2012: it is linked here.

--------------

There’s snow inland but on the coast just frost,
Though freezing’s freezing, birds know to their cost:
Pre-dawn there’s frost like paste a’gleam on walls,
Dead silence, not a gull nor cat that calls,
The moon’s pall shimmers, polishing the ice,
All’s paralysed and breath-held in a vice;
But then a blackbird through the silent stun
Risks half-heart fluting, faint and then it’s done,
And next a robin as if cracking sticks
Stut-stutters with its geiger counter ticks;
The gulls, though, wary, wait for light’s first hint
Which shims the rooftops in a blue-black glint,
And then they’ll quarrel, though with sotto-screams,
And launch and circle in the town-light gleams;
For fourteen hours they’ve crouched in ice-crust cold,
Their bellies void, whilst winds have hissed and tolled,
Now, starved, they wing like ghosts, beachward to feed,
Fighting for sandworms or wet shreds of weed.

===============
© January 2021

Wednesday, 30 August 2023

Bad Day Blues

This was written during the covid lockdowns - what disastrously misguided decisions they were! - and reflects my frustrated amazement as men's minds went mad. Joseph de Maistre wrote against the atheist and murderous French Revolution and is often bracketed with our own Edmund Burke (and how we can do with a revival of his thought!)
   Another poem written in the same vein - which some might denounce as sour but others would recognize as clear-eyed if despairing - is "On Having an Evelyn Waugh Moment," written in December 2014 and posted here on 17 January 2019.

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I woke in the morning feeling weird,
My God, was it covid? I scratched my beard:
    And suddenly I hated unconscious bias,
    And loathed all thought of the appallingly white;
    Death to racists! Castration for sexists!
    Patriarchy and capitalism were things of the night.
        Oh no, it was beyond a joke,
        I’d become woke!

I woke in the morning feeling strange,
My God, was it covid? Or a midlife change?
    For my wrist was limp, and my voice it minced,
    I ached for a toyboy with pecs like rumps,
    And my jeans were tight, and my crotch it bulged,
    My toupee was bouncy and I swished in pumps!
        Oh Lord, what could I say?
        I was gay!

I woke in the morning feeling faint,
My God, was it covid or some other complaint?
    Softly warbling about gendered autonomy,
    I stretched for my bra, suspenders and knickers,
    Then I shaved, did my makeup and anguished about dresses –
    I was meeting my group, “BoyzNowGirlz” (most of them vicars).
        Oh curses, despite lacking a fanny,
        I’d become a trannie!

I woke in the morning feeling off,
My God, was it covid? I had no cough,
    Instead, snarl-faced and bulging-eyed vain,
    I dreamt I was marching, chanting “Humans not Whores,”
    And “Wages due Housework” before texting home
    To check the au pair had swept all the floors.
        Oh rats, I could have been a terrorist,
        Instead I was a feminist!

I woke in the morning feeling ill,
My God, was it covid? I was hot then chill.
    I checked my phone: the cities were fired,
    Arson, looting and frenzy swirled in the streets,
    Obese, fleck-mouthed zombies, blaming oppression,
    Smashed their own neighbourhoods, exulting in tweets.
        What the hell, with a clatter
        I took the knee, screeching “Black Lives Matter!”

                Dear reader, de Maistre was right:
                Renouncing the Truth to dig a sump
                Darkens day to night –
                Where all will jump.

===============
© September 2020

"Strong Currents, Deep Water"

During my years in London I used to walk along the river bank from Kingston Upon Thames to Richmond - you  could convince yourself it was semi-rural. There was a sign on a slightly skewiff post planted just off the river bank, "Strong Currents, Deep Water." I made a note and put it in my jacket pocket where it lay forgotten for years until, disposing of the jacket, I finally found it. Hence this poem.
   An early poem along the same half-light, half-serious lines of a disabused man ruefully reflecting was "February 1981," written in the same month and year of the title and posted here on 16 February 2012. A more recent poem is "Well Met in Dorking," written in August 2013 and posted here on 18 July 2015.

--------------

There’s barely a day without its fight,
   The bills backed up, the children foul,
Reproaches hurtling left and right,
   The woman scornful like a big-eyed owl;
Oh marriage, commitments, are all very well
But they light up a path to a freezing hell,
Where two are pinioned flank to flank
      And shackled with bricks and mortar:
   I know a sign on the river bank –
      “Strong currents. Deep wate
r.”

And workplace assessments are soul-damning trash,
   “Yes-ing” and “no-ing” in a conference call,
Make a poor showing and your job’s gone smash,
   Future and pension thrown to the wall;
The Director of Colleagues was coolly phlegmatic,
More Mephistopheles than wisely Socratic,
He was permed, silk-suited and suavely swank,
      But his nod sent lambs to slaughter:
   I know a sign on the river bank –
      “Strong currents. Deep water.”


Oh, at night when the sky is black as a cloak
   And the bedclothes dank with fear’s own sweat,
I tug and tear at this cosmic joke,
   Finding mere molecules clumped and ill-met;
What justifies, confides a meaning,
To the human animal coiled and keening?
Will the solar wind, unconscious, blank,
      Scatter us, quarter to quarter?
   I know a sign on the river bank –
      “Strong currents. Deep water.”

===============
© June 2020

Friday, 28 July 2023

Spring Rondel

Experimenting with forms I wrote "Three Triolets" and posted them here on 11 June 2019. And here's a jeu d'esprit, "What is the Use of Grinning," written in April 1980.

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Peaceable pigeons patrol the promenade,
Salut Sir Sun who shines in daylong sear,
Water’s whispering wavelets weft in the ear.

Intellect’s inklings inch to an insight warm-starred,
Fulsomely fondling formulae which fable the year:
Peaceable pigeons patrol the promenade,
Salut Sir Sun who shines in daylong sear.

Guard though! Grim the garçon who gurns his aubade,
Huckstering hopes to handstand too near, too here –
Trailblaze trapezing will only trip to a tear.
Peaceable pigeons patrol the promenade,
Salut Sir Sun who shines in daylong sear,
Water’s whispering wavelets weft in the ear.

====================
© May 2020

The Thrush

I've written quite a number of bird poems, especially including my mates the gulls. The bird world, behaviour and consciousness are ever fascinating. Here's a link to "Goldfinch" posted on 4 September 2017 and here's a link to "Robin and Leaf" posted on 10 August 2017.

---------

“Tirra lirra,” sang the thrush,
   Very loud then very hush,

Courting mates or chasing foe,
   Scolding off the chancy crow;

Proudly spotted, all a’gush,
   Fluting, whistling, tutting “tush;”

Cracking shells or tugging worms,
   Frankly killing on its terms;

Hen-bespread sans doubts or blush
   Yields a clutch of eggs, blue-plush,

Which on twig-thin legs it guards,
   Hop-skip anxious, running yards;

But it’s odds a cat will rush,
   Tearing it to bloody mush:

Killer killed is Nature’s law,
   Red in purpose, tooth and claw;

“Tirra lirra,” sang the thrush,
   Overflowing, full and lush.

====================
© April 2020