Thursday, 18 June 2026

Months: The Sea: July

In 2012-13 I wrote a series of shorter poems on the months of the year using a similar form for each poem. I posted the complete set of "Months" on 6 February 2015 and it is linked here.  In 2014-15 I wrote a series of lyrics on the year's months, called "Months: Lyrics" and that series was posted on 11 March 2016. It is linked here. Between 2019 and 2024 I wrote a third "Months" series, this time concentrating on the sea and littoral and using a wide range of forms. The poems were also much longer and much more discursive. I am now posting them as I revise them. I will put some notes about each poem's form and references at the end of each post. The first poem in this sea series (for March) was posted on Friday 25 May 2025, link to it here; the poem for April was posted on 28 July 2025, link to it here; that for May, posted 20 September 2025, is linked here; that for June, posted on Monday 27 April 2026, here
   There are four epigraphs for the entire "Months: The Sea" sequence and they are posted at the head of the March poem.
   Each poem carries an ascription of the liturgical importance of the month. These ascriptions were widely used in the pre-Vatican II Church: they were yet another casualty of the destructive consequences of that foolish Council.
   I do not seem specifically to have written much of substance about July. One ancient poem, from July 1980, is "July Days," posted on this blogsite on 14 July 2012. It is linked here. Two more recent poems are "July Woods," written in July 2013 and posted on 1 June 2015 (linked here) and "Late July Morning," written in July 2014 and posted on 10 May 2018 (linked here).

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(Month of the Precious Blood)


      It slows and crawls into the station:
   The train’s “hump–hump” on points in work-like fashion
   Calls journey’s end, and doors along its length
      Vomit this year’s luggaged hordes.
   July pours burning heat and dense blue skies
   On them; soon, crimsoned flopping flesh like gourds
Will splay the hot-stoned beach. All month the stalls and kiosks
   Affording food and beach ware work long hours;
   Hotel and pension terraces are full,
   And tots’ cries, arcade tunes, disturb the lovers.
The slapping sea churns human flotsam, laughing, thrashing,
      Jet skis roar in thumped-chest passion;
   Embayed, a bloated cruise boat frees its launches
   For two hours’ feeding – water ice or whelks;
   Bemused, surfboarded lifeguards crouch on haunches
      And chaperone these foolish folks.

      “Off-piste,” and life proceeds untouched,
   Raw children in their gardens play unwatched;
   Shopping and washing done, there’s coffee with
      Flames – old, new – and thrill of footing:
   Life’s settlement, as always, finely edged.
   At harbour, the white fish auction closed, and gutting
And packing underway, a trawler’s beached for prop work;
   Come lunch, men will make tryst with tabled pints.
   And always halyards chatter, stench of crab
   And fish rot sours the streets, noised with the chants
Of gulls at swirl. It’s full tide at the rocks, and terns
      Plunge for prey – many times botched,
   Then winging, fry in beak. An egret stalks
   The rock line, its beak a halberd, stabbing death
   For fish and shrimp. Eyeless, a dead gull rucks
      In the surf, ignored like a torn cloth.

      All’s heartless! Yes: the breeding gulls
   On roofs do duty as a hormone pulls,
   Feeding their begging fledge reluctantly.
      Toppling, screeching, brownly-downed,
   The fledglings prance the copings, keen to fly –
   Unbalanced, some, wing-thrashing, plunge to ground,
Their parents yapping from a wall as feet or cars
   Chivvy the young to a puzzled kerb-edge cower.
   Then morning, evening, maelstromed, all erupt
   In screaming flight – a disputing, staking blather;
Settled, night long they’ll call, fly, rest, though sleeping little.
      Three a.m. a dog-fox prowls;
   Spotted, they roar alarm; folk yawn, disturbed.
   Next day, adults rebonding quiver in frenzy,
   Beaks clashing, chattering; they cease, unverbed.
      Language, unfelt, grew from this motley.

      Language is structure bred by structure,
   By organisms bound by social gesture –
   The rat-faced herring gulls example this.
      Topping all is Man whose brain,
   Protein-engorged, has burst brute physics’ grip,
   Creating mind, disbodied, ever keen
To structure further. Thus, a paddle on a log
   Becomes a week’s regatta: high-tech yachts
   Compete a close-thought course to testing rules,
   The winner self-formed by work against those boats.
Hegel, blade-faced, thought this the crux of man’s fulfilment,
      Mind’s self-knowledge making contour
   Of what’s the case; mind only was what’s real,
   Its absolute; but what completion’s that?
   Mind presumes data, an existent mell,
      Which lacking being must be kept.

Wednesday, 27 May 2026

Opened Earth

Way back in the 1970s, walking along a railway path (between Raynes Park and Wimbledon in southwest London) on a wet autumn day I was struck by the rich and pungent odour seeping from a newly-dug hole which someone had gouged beside the path for some reason. The phrase, "the pungent smell of opened earth" came immediately to mind and I thought it would make a good start for a poem. That phrase has been in my mind all these decades and finally - finally! - in 2024 I used it to create the poem below. The larger nine-line stanzas are written using a loose blank verse. The "Addendum" was an afterthought to use up lines one and five which originally were meant to be part of the main poem but did not survive to the final draft.
   An earlier poem (written in July 1979) and based on close looking is "The Old Stone Wall, Honey-Red." I posted it on 25 April 2012 and it is linked here 

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      The pungent smell of opened earth,
         Freshly turned and churned,
      It stings the nose like smoke from the hearth
         Or furzes newly burned.

Walking the railway path in autumn-tide
I found a fresh-dug hole some worm collector
Had turned in the damp black leafy loam banking
The path. That tart-aroma’d rotting, fecund
Of ooze and seep, trickled a sheen of wet
Which puddled the gouge. That reek, that sour and sweet
Unripeness, dank and tingling like an acid,
Yet hinted bitingly at a rich fulfilment
Next year in spring’s resistless bloating-forth.

      All’s closing, crumpling; comes a sleep
         Uneased, deprived, diseased:
      Winter’s a time when the creatures weep,
         Neeps with snow are fleeced.

Winds needle through the bare boles of frosted trees.
Climbing the combe, couch-grass beneath foot crunches
Like plastic sheeting. Clouds, leaden as gangrene,
Compress this cliffside gash, so that plant, creature,
Must starve in a freezing death-daze, grubbing shreds,
Day-long, within winter’s blackened, snow-smeared grip.
At combe’s top, smallholding man, denuded of work,
Stirs roots in his cookpot, brooding on his land-toil
Once earth’s year’s-end ice crust has thinned and split.

      Water and chiffchaff prattle joyly –
         Here’s cakes and mating, maidens!
      What plant or creature foots it coyly
         When sun’s restored their Edens?

As if a womb disgorged its groping bairns
A’sudden, spring’s a shouting, swollen fact;
There’s shoots, leaves, buds, all’s wetly warm, and lust
Of coupling frictions the agog woods and fields.
Already, thought of summer’s fleshpot months,
Of corn and beef, juices the mouth; and evenings,
Delighting in hum and stir, open like hands.
Hasten to live! gulping sun’s feeding, for soon
His prime’s decayed; autumn’s first leaf will fall.

Addendum

Winter’s a roar of gale and sodden snow,
Sobered, I question everything I know.

Then spring comes dancing with a primrose tint,
Its meaning’s hidden, readable as flint.

Through summer’s golden months the corn grows fat,
At last I found the truth, then smelt a rat.

And now in autumn’s damp and chill decay,
I mourn we live alone and end as clay.

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© October 2024

Lyric: Autumn to Summer

I have always greatly liked Sir Walter Scott's little poem "Proud Maisie." I thought I would give young Maisie a happier outcome, albeit inclusive of the pains of childbirth. Also, I wanted to try and write a lyric with something of the lightness but also depth of felt experience in Shakespeare's unmatchable lyrics. I'd be astonished if I succeeded. 
   "Bake first fruits loaves" is a reference to Lammas day (Loaf Mass day) on 1 August, when Mass was offered using the first bread baked from the wheat harvest of the year.
   A more stately (syllabic) lyric is "Though the Weekday Go," written in 1976 and posted on 5 July 2013. It is linked here.

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What’s this! The oozy reek of rained-on earth,
      It sets my nose a-twitch,
   And autumn’s apples, girl’s-cheek red,
      Make lusts and loins to itch!
   So grab your girl – here’s tease, here’s mirth!
   For winter’s freezings kill all pleasings,
      And that’s a truth well said!

What’s winter? Maisie’s window piled with snow,
      And spring’s her sleepy yawn,
   But sun’s months urge the wheat to swell –
      And Maisie swells with spawn!
   Bake first fruits loaves, dance fast, dance slow,
   For summer’s breezings force womb’s easings –
      Lord, Maisie’s lungful yell!

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© September 2024

The Days of Old

Technical details: a shared rhyme links the penultimate line of each stanza with the first line of the following stanza. To round things off, the last two lines of the final stanza share a half-rhyme.
   A much earlier poem on the "what's it all about?" theme is "The Hedgehog in the Garden," written in July 1980. As such it is not a "summation" or a "looking back" because it was written by a much younger man; it's more of a speculation. It was posted on 14 July 2012 and is linked here.

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   The days of old were never cold,
      The sun shone on and on,
And heat haze simmered on both coast and wold
   In glassy light glints never done.
   Thoughtless we are of days as lived:
You never know they’re good until they’re gone.

   What’s left when age has closely sieved
      All loves and memories
Are glows like sun’s warm shafts in leafage weaved
   (But aches at hands we failed to seize):
   Days are like fruit now fresh, now bruised,
You never know they’re good until they’re gone.

   Ruses and lusts, perhaps excused
      For that’s what lovers do,
Enjoined a trysted life of bodies fused,
   Of whelps and duties, laughings too:
   Like rueful scarecrows are our days,
You never know they’re good until they’re gone.

   Even ill-luck, a smash, a blaze,
      Much worse, a dear one’s death,
In time will cultivate our coping ways,
   For breath is better than no breath:
   Our days can soothe the pain they cause,
You never know they’re good until they’re gone.

   Seek what’s intense then, licking sores,
      Live as the creatures live,
Hourly aware of chance’s gifts and claws,
   The “now” which only Time can give;
   For soon days’ truths will sink to one:
You never know they’re good until they’re gone.

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© September 2024

Monday, 27 April 2026

Months: The Sea: June

In 2012-13 I wrote a series of shorter poems on the months of the year using a similar form for each poem. I posted the complete set of "Months" on 6 February 2015 and it is linked here.  In 2014-15 I wrote a series of lyrics on the year's months, called "Months: Lyrics" and that series was posted on 11 March 2016. It is linked here. Between 2019 and 2024 I wrote a third "Months" series, this time concentrating on the sea and littoral and using a wide range of forms. The poems were also much longer and much more discursive. I am now posting them as I revise them. I will put some notes about each poem's form and references at the end of each post. The first poem in this sea series (for March) was posted on Friday 25 May 2025, link to it here; the poem for April was posted on 28 July 2025, link to it here; that for May, posted 20 September 2025, is linked here.
   There are four epigraphs for the entire "Months: The Sea" sequence and they are posted at the head of the March poem.
   Each poem carries an ascription of the liturgical importance of the month. These ascriptions were widely used in the pre-Vatican II Church: they were yet another casualty of the destructive consequences of that foolish Council.
   I do not seem specifically to have written many poems about June. One such is "A Blackbird in June," written in June 2013 and posted on this blogsite on 2 March 2015. It is linked here. A much earlier poem which is "June-ish" is "Epigraph on Rome," written in 1979 (and which I have always been fond of) and posted on this site on 31 October 2012. It is linked here.

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(Month of the Sacred Heart)

   My God! Hades’ gates roared, and shelves of rock screamed
Into a battering skip: a thunder-shriek seized the town,
   Quaking the granite streets; clefts of lightning cracked
From cloud to sea, boned and crook like a hag’s claws, and flash glared
   A shocked second, dowsing dawn’s twilight. The beached
Worm-glutting gulls leapt to wing instantly, howling a’group
   In tight-turned circles, wing feathers clapping as
Raging, gabbling, they swung like thrashed souls driven through hell’s
   Gloomy bolges. In a gasping moment, rain’s
Avalanche drenched the town as wide-footed thunderheads,
   Anvil-tall from sea to high sky, crept mollusc-like
Across coast and village, braun and convulsed, liver-dark,
   Purposed as locusts blackly gulfing the fields.
The rain, solid as chain-mail, clashed in the streets – the gulls
   Forced to ground; it fried like fat on the beige sands
And clattered hoarsely a shine of spume on the lead-puce
   Beaten sea. In town on walls and roofs, herring gulls
Hunched and suffered, glum in the pounding soak, feathers glued
   To points, their wing quills rutted, their beaks adrip:
The tart whiff of the plumb downpour, chilling the air, belied
   The hoped-for heat of a smack June day. To some – most? – 
A pious plea such times, urged to the Sacred Heart, might seem
   Inane, the world shrunk to flexing panes, iron-grey,
Of water, the flumes gushed by the beach’s storm drains, grimed
   With town dirt, gouging fanned Mississippis through
The slathered sands; but friend whether Megiddo’s endgame
   Is bodied by these false-mirrored drapes, or they’re
But a passing puff, that shrined Heart, consoling as a hand
   Proffered, gifts a gritted patience portioned to
The pleader’s disastered state – oh Horn of Goods, replete
   Of Blood and Water, Trove Box of pity, Vault
Of refuge for the blight and perplexed! It’s a fraught truth
   For strandsmen that gulfed offshore in a storm force
Blether, or skewered on a cliff by a ton’s weight of wind,
   All atheists go AWOL, (none ever turned a trick
Trundling the nay-sayers’ naff bookstall across battlefields).
   The day a washout, the next – June’s longest – was fine.
By four, dawn’s tones – lime-olive rosined with jade-pink sheens –
   Had lotioned the attic-wide sky; a slivered moon,
Vague as a slopped clam of bread in rose-milk, wasted away.
   By chimneys, on gables, nested hatchlings squealed,
The parent gulls off-hand; a breeze scattered the sea’s hiss
   Through the lanes, and night-out cats nosed the cracked shells
Dumped by the gulls like rind. Come eight, the beach having warmed,
   Morning forage done, blackbacks and herrings rest
In flocks, distrustful and jump: glared eyes, thrust beaks, insist
   On lifetime social distance. The cirrused sky
Is ruthless blue, the sands hemp- and umber-stained, the sea,
   Full-ebbed and flat, is emulsioned greeny-pale.
Unstopped, the heat piles and the strand’s hours amble to afternoon;

Thursday, 2 April 2026

Michaelmas Daisies

All stanzas share the same "edge" rhyme sound in lines one and six. Also, in each stanza a rhyme echo from the rhyme of the penultimate line appears somewhere in the last line.
   For comparison, way back in October 1979 I wrote "A Bowl of Chrysanthemums," one of my few "free verse" poems. I posted it on 12 November 2011 and it is linked here. Much more recently, in April 2015, I wrote "A Cherry Blossom," in which I looked closely at a single cherry blossom. I had in mind Jon Silkin's sequence of "Flower Poems" in which, similarly, he made a close study of a range of flowers. "A Cherry Blossom" was posted on 26 September 2019 and is linked here.

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At summer’s end, from every dint or edge,
Michaelmas daisies surge to shout their say:
   All’s failing: winds and chilling air,
      Short light and whipping rain,
Soon will brown with phthisis this spray, that spray
Of summer’s delicates; but ledge and hedge,
   St Michael’s daisies, against the grain,
      Maintain their dark-eyed stare.

Ha, the sea winds craze the blond-haired sedges,
The grey salt light frowns on the twitching gorse;
   But orange-pupiled, iris’d blue,
      Wax-brown legged, loll leaved,
Michael’s daisies rattle in shaken morse,
Asserting ledge-grabbed rights which autumn’s dredges
   Will not dislodge till all’s bereaved
      By November’s freezing dew.

They’re proxy of the seaboard men who pledged
Life’s limb from birth, gouging sea depths for spoil;
   And both, hard-minded in life’s risk,
      Defy the weather’s clamour;
Draining of colour, trawling sea or soil,
They cling this side of winter, rooted, kedged,
   Firm, though, that next year, come summer’s glamour,
      They’ll brag in the wind’s whisk.

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© August 2024

Busvargus Down

This is written in a mixture of iambic and trochaic lines. The final rhymes of stanzas one and two link to the first rhymes of stanzas two and three.
   Busvargus Down lies to the east of the village of Tregeseal which itself lies to the north of the town of St Just on the far west coast of Cornwall.
   Note: "Ela!" is Greek and is used colloquially to mean "come!" "Pugging" (a Shakespeare word from Autolycus' famous song in "The Winter's Tale," Act 4 scene 3) means thievish (in my sense, seize the moment). "Gilded flies" are butterflies. "Banting" is my neologism meaning slight, young, bouncy, bantering. A "mew" is a seagull. A "scrip" is a bag, purse, satchel. "Smicker" mans handsome, amorous, smiling.
   Another lyric, written as long ago as April 1980, is "What is the Use of Grinning." I posted it here on 31 March 2012. And a more recent and more discursive poem is "July Woods," written in July 2013 and posted here on 1 June 2015.

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   Ela! And here’s a lively thing
   Prods my pugging tooth to buzz:
         Summer’s heat
         And bright-air days
   Set Busvargus Down a’craze;
   The gilded flies are fluttering,
      Larks outsing their size
And hares, big-eyed, play touch-tag, suave and fleet.

   Truly it’s a thing that’s sweet,
   The bearded heather, yolksy gorse,
         Sky’s high blue
         And banting breeze
   Thithered as the prying bees;
   The adder though, rotund with meat,
      Curls question-marks, ignores
A pagan fieldmouse dancing slew and skew.

   Yapping, veers the white-splash mew –
   Scrip it, scrip it, ah this bon!
         Come nightfall, scents
         Like wine enlush
   The smicker air. Hist! through the hush
   Purls the dun nightjar, ancient, new;
      And a sudden light shone
Catches the spiders legging at their tents.

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© August 2024