Tuesday, 24 December 2024

Another Prod at Auden

I decided I had more to say about W.H. Auden (see my previous post, "Just a Prod at Auden"). This much longer poem uses the stanza from Spenser's "Up Then, Melpomene." The rhyme scheme and line lengths are obvious; line 7 in each stanza is trochaic, and lines 8 and 10 always have feminine endings. The first phrase in the first stanza is adapted from Pound's "Canto II." The two direct quotes in the poem are both from Auden.  The reference to Christ Church in the first stanza recalls how undergraduates would exasperate their tutors when challenged on some view by responding, "Well, Wystan says..." "Rhoda" in stanza two is Rhoda Jaffe who did indeed have an affair with Auden. Unfortunately, and unrelated to Auden, she eventually committed suicide.
   Way back in 1976 I wrote "The Thing Which Sticks," a long unfinished poem about writers in the 1930s (in some people's view, not mine, Auden's heyday). I revised it in March 2013 and posted it here on 1 April 2013. And in October 1981 I wrote a sonnet, "The Artist," which is self-explanatory. I posted it here on 14 June 2012.

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Hang it all, Wystan Auden: great your gift but veined
   Like cheese with worm: from Christ Church – “Wystan says” –
   Camply declaring law, to late life ’blained
   And slippered, all men’s uncle in a faze
   Of fag smoke, mourning moral ills in your maze
      Of words, your work was feminate,
      Mother’s teat your lifelong bait:
         A flouncy archness
   Too often flabbed its florid fine-meshed bays,
         Like linen starchless.

“Unfinished weaning”? No, rather a wilful urge
   To “other” your third son status; thus to claim
   Dogmatic rights in world and love, to merge
   And part Mama and son, and itched by shame
   Embrace vocation that the Muse might tame
      The Lord’s command that babes be born,
      Jack and Jill one-fleshed in spawn.
         But did not woman,
   Pert Rhoda, tempt your manhood to enflame,
         Become your leman?

All failed: once more you grieved in Kallman’s pathic clutch.
   Think though! To scorn man’s duties to his girl
   Invites perversion: two men’s sexual touch,
   Then man and child, or animal; and whirl
   The tables, girl and girl; then last, the skirl
      Of transdom, screaming against fact,
      Wigged or trousered, science quacked!
         And contraception
   Forborne by church and state – that fatal pearl! –
         Loosed this vexation.

So sex for fun, not childing, thus became a “right,”
   Quick-followed by abortion’s blade: what doubt
   The child was double-victimed, killed like a mite
   Enwombed, or sexed-with, grown? But they who pout
   At Law face ends, their tribe grown old and stout –
      For childless – cursed to dim and die:
      Nature, ruthless, puts them by,
         And a tribe that’s virile
   Swamps in, seizing, smashing, what once had clout,
         Laid bare as puerile.

This post your death, but trahison has its harsh deserts.
   Your crust of Goethed wisdom failed to mute
   Your nanced “Miss God says no!” wealing no hurts
   But trifling, rather, the Kind’s self-dispute.
   Waysided now by epoch’s turn, your bruit
      Of late-termed Christian Staat must sink,
      Spurned as frankly too much ink,
         For the struggle’s started
   ’Twixt withered West and Crescent which will moot
         Who’s firmer-hearted.

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© March 2023