Tuesday, 24 December 2024

Another Prod at Auden

I decided I had more to say about W.H. Auden (see my previous post, "Just a Prod at Auden"). This much longer poem uses the stanza from Spenser's "Up Then, Melpomene." The rhyme scheme and line lengths are obvious; line 7 in each stanza is trochaic, and lines 8 and 10 always have feminine endings. The first phrase in the first stanza is adapted from Pound's "Canto II." The two direct quotes in the poem are both from Auden.  The reference to Christ Church in the first stanza recalls how undergraduates would exasperate their tutors when challenged on some view by responding, "Well, Wystan says..." "Rhoda" in stanza two is Rhoda Jaffe who did indeed have an affair with Auden. Unfortunately, and unrelated to Auden, she eventually committed suicide.
   Way back in 1976 I wrote "The Thing Which Sticks," a long unfinished poem about writers in the 1930s (in some people's view, not mine, Auden's heyday). I revised it in March 2013 and posted it here on 1 April 2013. And in October 1981 I wrote a sonnet, "The Artist," which is self-explanatory. I posted it here on 14 June 2012.

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Hang it all, Wystan Auden: great your gift but veined
   Like cheese with worm: from Christ Church – “Wystan says” –
   Camply declaring law, to late life ’blained
   And slippered, all men’s uncle in a faze
   Of fag smoke, mourning moral ills in your maze
      Of words, your work was feminate,
      Mother’s teat your lifelong bait:
         A flouncy archness
   Too often flabbed its florid fine-meshed bays,
         Like linen starchless.

“Unfinished weaning”? No, rather a wilful urge
   To “other” your third son status; thus to claim
   Dogmatic rights in world and love, to merge
   And part Mama and son, and itched by shame
   Embrace vocation that the Muse might tame
      The Lord’s command that babes be born,
      Jack and Jill one-fleshed in spawn.
         But did not woman,
   Pert Rhoda, tempt your manhood to enflame,
         Become your leman?

All failed: once more you grieved in Kallman’s pathic clutch.
   Think though! To scorn man’s duties to his girl
   Invites perversion: two men’s sexual touch,
   Then man and child, or animal; and whirl
   The tables, girl and girl; then last, the skirl
      Of transdom, screaming against fact,
      Wigged or trousered, science quacked!
         And contraception
   Forborne by church and state – that fatal pearl! –
         Loosed this vexation.

So sex for fun, not childing, thus became a “right,”
   Quick-followed by abortion’s blade: what doubt
   The child was double-victimed, killed like a mite
   Enwombed, or sexed-with, grown? But they who pout
   At Law face ends, their tribe grown old and stout –
      For childless – cursed to dim and die:
      Nature, ruthless, puts them by,
         And a tribe that’s virile
   Swamps in, seizing, smashing, what once had clout,
         Laid bare as puerile.

This post your death, but trahison has its harsh deserts.
   Your crust of Goethed wisdom failed to mute
   Your nanced “Miss God says no!” wealing no hurts
   But trifling, rather, the Kind’s self-dispute.
   Waysided now by epoch’s turn, your bruit
      Of late-termed Christian Staat must sink,
      Spurned as frankly too much ink,
         For the struggle’s started
   ’Twixt withered West and Crescent which will moot
         Who’s firmer-hearted.

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© March 2023

How Unpleasant to Meet Mr Medlin

A mere bagatelle, obviously playing off T.S. Eliot's "How Unpleasant to Meet Mr Eliot." A longer piece of persiflage is "Romanists and Anglicans," written in February 1981 and posted here on 20 October 2011. Its final couplet does not represent my own views!

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How unpleasant to meet Mr Medlin,
Always his poetical eructions peddling
(Frankly, it quite does my head-lin):
It reminds me I once knew a chap called Edlin
Who was obsessed day and night with the roots of trees
And how their leaves (he said) pas de deuxed in the breeze,
I recall he had appallingly muddy knees:
You know, now I think on’t, I prefer Mr Medlin!

Apologies to Herbert L. Edlin, author of The Observer’s Book of Trees (1975), a greatly enjoyable and helpful volume.

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© February 2023

Just a Prod at Auden

Back in the 1930s William Empson wrote his famous - and still well worth reading - poem, "Just a Smack at Auden." I thought I'd have my own say, using the Tanka stanza. As I wrote, two quiet references to Auden's elegy for W.B. Yeats crept in. In the fifth stanza there is a quote from St Paul, 1 Cor. 11.22 (Douay-Rheims translation). Blenheim is Blenheim Palace, surely pretty massive on anyone's scale, (my spelling "massifed" is deliberate).
   I expanded on some of my own feelings about writing in "Meaning," written in April 2016 and posted here on 22 June 2021.

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Your subjects were large,
Your languaged proclivities,
Your scoped poetics,
Immense. And engrossing were
Your rococo’d, modulate

Speech-things, busied with
Ethics in this double-cross,
Back-slap-and-grin world:
A gemmist, you rehabbed words,
Bran-tubbing the O.E.D.

But you were silly,
Unserioused by queerdom,
A wrist-dropped “get her!”
Veining even your starkest
Moralled works. Those epicene

Love songs, unfocussed
By the twink impulse, hidden;
The doctrined poems
Later, Christ typifiying,
Wormed by the harlot, Kallman;

And, in age, your broad
Divagated hold-forths, wealed,
But cricked by your eye
For “trade” and young men blooming:
Well, in this I praise you not!

Oh, for that finalled
“Whoomp!” of braced argumentum
Arnold’s tense hair-pull,
Say, worrying to terse ends
(A dosing of his father’s

Masculine credo
Would have helped, too). Despite that,
Your gift survived all,
Uneasing, now, “woke” wordcarls,
Popping-eyed for “inclusion,”

Castrated syntax –
All such man-dreamt Ponzi trash!
Massifed as Blenheim
Your work shrugs: what’s consequent
Is virtue; praise; and pity.

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© February 2023

Friday, 22 November 2024

Language

This poem, using the Tanka stanza, cost me much blood and sweat to write, lacking Auden's wonderful facility with conceptual argument. The statistics about Shakespeare's and others' word scope are from Anthony Holden's biography of the Bard; Kraus is Karl Kraus, the 1920s/30s Austrian satirist; the peasant in the final stanza was recorded by the saintly CurĂ© d’Ars as sitting for hours in front of the Blessed Sacrament Exposed: when asked his purpose he gave his famous reply. (And you can scorn anyone who tells you the Host is merely a piece of bread.)
   Auden, of course, was much concerned with language. Here's a link to my humble "Homage to W.H. Auden," written in 1981 and posted on this blog on 21 February 2012.

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Milton eight thou. words:
Shakespeare twenty-one thousand!
The grammar school oik
(And Papist-tainted) quite swamped
The orotund Puritan!

Luculent wordists,
Laptop-lorn, drudged by candle
Computing the Bard’s
Wort-fest – wide-eyed at the scoped
Terrains his weirdings revealed;

Yet in Stratford’s rents
The lumpen trammelled their lives
With a few hundred
Words at most: how, we puzzle,
Did the Swan’s epi-massive

Fructions of language
Emerge: some sprite chromosome
Knacked as Ariel?
It matters? It does: the tribe’s
Width of being – its far fetch,

Its fulled purposes –
Grows from, expands, its self-heft
Torso’d in language,
Mutter not diener of thought
(Kraus noted); and thought parents

The anguishing will,
Its conundrums and turn-’bouts,
Whose nose-taut searchings
At last might inhere the veld,
Tiptoeingly adequate

To all that’s the case.
World-historical Virgil,
Then, mything the brute
Growings of tough-shouldered Rome,
Abundanced its can-do speech

To fount that telos
Which, historied, now insists
As Rome’s foredained “Thus.”
And Rilke, tranced in a rose,
His teetered syntax torqued to

Grasp Dasein, aweing
Youth to saltimbanque featings
That body’s autumned
Sadness might, thought-forced, bud-burst
To soul’s glad terror, light-laved

By a dread Angel –
Oh, his words lived what they knew!
Well, by mind’s reachings
Language has birthed from clod things
An Ideosphere, where what’s

Mental blooms a world
Broader, deeper, than physics’
Navelling. It’s here
That the throned Word, contexting
All words, is gaspingly known,

Silencing tattle
Which false-steps the unwary,
Chorusing with mates
At table in bombast rounds:
At end the fullest words are

Wordless. A peasant
Hours-long sat before the Host:
When asked what he did
He replied, “Just this: I looks
At ’Im, ’an ’E looks at me.”

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© August/September 2022 & January/February 2023

The Garden Crock

For comparison here's a link to another garden poem - "A View of My Garden," which was the first poem I completed after returning to poetry in 2012 (after a near thirty year break). I posted it on this blog on 18 January 2014.

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   A disused kitchen crock was dumped
      Upon a scrubby path
   At garden’s rear, collecting there
         The rain which flumped
      From autumn’s clouds: hence, birds
   Would to and fro for drink or bath:
   Gruff gulls, meek pigeons, poised to scare,
Made weal or woe, like roughly-butted words,
   Churning that crock with cries and merds.

   Pre-Christmas, freezing air flowed in –
      The prom and shingle banks
   Were iced, the sea a sluggish lead.
         A metalled skin
      Of ice panelled the bowl
   Which after fraught days burst its flanks,
   Peeling the iced plug’s solid head:
The shards and shattered hulkings, winter’s toll,
   Lay round like shipwrecks on a shoal.

   Long days it took that plug to melt
      Till January’s nought
   Had come. I thought of the prom’s tribe
         Of old – unsvelte,
      Wheelchaired or zimmered, slow
   To die, and like that ice-pig wrought
   To dribs. Ah, Time’s unfriendly jibe:
Both ice and old thin to a slivered floe,
    Then wind’s puff shakes them. And they go.

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© December 2022

Tuesday, 22 October 2024

West Penwith

West Penwith is the far south-western toe of the UK mainland; only the nail clippings of the Scilly Isles lie beyond.  Up on the moors behind Penzance is Carn Euny, a preserved Iron Age settlement of the Cornovii tribe. Fogous (rather crudely "caves") probably had a religious/ceremonial significance - there are several in West Penwith. The coastal village of Pendeen until 2014 had a massive working foghorn replete with signs to stay well away during poor visibility because the horn was so powerful it could damage your ears. (The disused foghorn is still there beside the Pendeen lighthouse.) 
   The poem, with just a little bit of grammatical stretch, is written in a single sentence. It is one of three written in the same rather jogging metre in 2021/22. The others are "Cornish Gorse" posted here on 24 October 2023, and "If You Want to Know What Sea Is" posted here on 25 November 2023.

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The cliffs are shook, the thyme is shaken,
The roar is such to waken the Kraken;
Dank mist like suds is flung from the sea,
Greyly streaming over stack and scree;
Sharp rain is piercing the grass and sedge
Clinging blackly to slab and ledge,
And the wind, the wind! like a searing flail
Scourges the cliffs and moors with hail:
Carn Euny, stark on its rising breast,
Has a view all ways, north-east, south-west,
But compass-open there’s no reprieve
From the air’s freeze, the wind’s heave;
Here the Cornovii built their huts,
Granite and thatch, their paths all ruts,
And wind-swept, damp-rotted, scratched their fields
For oats’ and barley’s skinny yields;
Some bony cattle, some goats and sheep
Graze the moorland with its constant creep
Of heather, bracken and yellow-eyed gorse
Grabbing ground with bullying force:
Arthritic, coughing, weather-scarred men
Hack the furze from the field walls again;
Their women, bent-backed, carry and cook,
The children learning by help and look:
And has much changed through centuries’ reach
(Some offer nostrums, others preach)?
But look, Penzance – harsh-granite-grey –
Hunkers as a rain squall swamps the bay,
Glinting grimly through the solid pour
Battering gutters with its ear-split roar;
The sea, the rain-drenched wind, the salt
Govern life and health from birth to vault;
And soon or late, folk to the grave
Crumple and fall like a stumbling wave,

Down at the Water's Edge

All the references will be well known to Penzance aficionados; Pen Sans is the "Holy Headland" around which Penzance is built. For my attempt to convey what it's like to be caught in bad weather at sea see my "Gale at Sea" posted here on 25 October 2023. And for my memorial of a genuine Penzance/Newlyn "character" see "Roger Nowell, A Cornish Skipper" posted here on 19 December 2017 and easily my most visited poem: it's astonishing how his memory lives on!

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When the wind blows and the scud is low,
Swamping St Clement’s Isle,
When the sea surges as black as pitch
And the cloud’s as brown as bile;
Then’s the time to gasp your last
And groan for cart or sledge:
“O, haul me out and let me die
Down at the water’s edge.”

Rattle me down through Chapel Street
Sinking below Pen Sans,
Hear! the rain is flung in swathes
Roaring like falling cans;
Drag me on to Battery Rocks
For I’m to fulfil a pledge –
Soaked, battered, it’s there I’ll die
Down at the water’s edge.

So many! In youth we were forced from the west,
Urgent for work and a wage,
In London town I sweated and jobbed
As the years became an age;
Now old, returned, in Gwavas Street
I sit in my window’s ledge,
Waiting the end when I wish to die
Down at the water’s edge.

St Peter in boots, with his oilskins tight,
Staggered along Heaven's pier,
The seas were high, the entrance rough,
Boats off wallow and veer:
“Ahoy,” he bawled, “there’s few will enter
Struggling with sheet and kedge,
But are you from the west and did you die
Down at the water’s edge?”

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© October-November 2022