Tuesday, 15 September 2020

Intellectuals

Intellectual? Take your club
And that your principles cohere
Beat all about you, grown and child,
Until your brave new world appear.
        Make no bones.

Perhaps your donnée’s so profond
That even French penseurs are glazed,
No matter, praxis remakes fact
And whole societies are razed.
        Make no bones.

And not a stone is left unturned:
That one percent minorities –
Men in ballgowns! – should glide on top
All must attend reformatories.
        Make no bones.

But there’s a caravanserai
Lumbering through the city square
With black-print book and desert cries
Will throttle all the thinkers there.
        Make no bones.

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© December 2015

Magnolia Tree: November

The common rhyme in line 5 of each stanza binds the stanzas together, I hope.
   I wrote a previous poem about this magnificent magnolia tree in April 2015, posted here on 2 September 2019. Here's a link.
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   In mild November’s balmy air,
   The morning sun an orange flare,
I saw that tree and shrub had dropped their leaves
And bare and bony starkly stood resigned
   Waiting for winter’s rattling blast,
Except a squat magnolia tree, reclined
Against a fence, which like a field in sheaves
   Was stooked with buds as if harvest done
   And not the great fast scarce begun.

   Those buds, a finger-joint in length,
   And bulky in their dog’s-tooth strength,
Like sandstone votives thick upon a shrine,
Olive-yellowed and statements of intent,
   Crouched braced for what the snows might cast,
For set so soon, three months of frost and vent
Would smother them before, a breaching mine,
   Vesuvius-like they’d incandesce
   And spring and lust in flowers confess.

   But what of us in thin-boned age
   Who heart and rasping lungs assuage,
With time, loose-endedly, to mark this tree,
Will we escape the granite months’ compress,
   Come spring to glow like meadows grassed,
Or like the balding tree’s last brittle tress
Of leaves, will we in wizened agony
   Fall to the roots to rot in wet
   That these great buds bright blooms beget?

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© December 2015

Tuesday, 25 August 2020

"Oh Dear, Oh Dear"

A child in woe outside a shop,
Where was safety, where was love,
At home with her mother’s offhand flop
Or here with her father’s guiding shove?
   The pavement seemed to shake; she cried,
   Oh dear, oh dear.”

Her mother in spasmodic throes
Found time for her, but preferred to sleep;
Her father, following his nose,
Did much, but thought himself too deep.
   The pavement seemed to sink; she cried,
   Oh dear, oh dear.”

Children need little, a bite to eat,
Some rags of clothes, a toy or two;
But those who sit in the mercy seat
Should act as if they think it true.
   The pavement seemed to shiver; she cried,
   Oh dear, oh dear.”

Children are tough and soon grow to the full,
But do they forgive, will they forget?
There’s one who was tugged as unballed wool;
Her parents now crones, will she void their debt?
   The pavement seemed to shatter; she cried,
   Oh dear, oh dear.”

====================

© December 2015

Three Girls

Mária is pronounced with the accent on the first syllable. This sequence began as just the single poem "A Sea Shell." The actual sequence of "relationships," should anyone try and work out the chronology, is "Friendship," "The Smash Up" and "A Sea Shell." Not a glorious life achievement admittedly.

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1. A Sea Shell: Mária

Plucked thoughtfully from her hoard of shells
This glowing whelk shell, cream and whorled,
A gift from little Mária,
Displayed by me on shelves
Though years have tolled,
Insists that now she’s grown,
Forgetful of her one-time gesture,
She’s gone to make her life her own.

So end such friendships, time takes all;
Lovers depart and take their young;
That sea shell had a rock-struck flaw:
Old Adam’s taint, that quail
Of lust, more fun
Than love but cold as rain;
Her mother fled, I never saw
Sweet eight-years Mária again.

She picked her shells on Penzance beach,
Lightly dodging the grey-mood waves,
But oh her child’s-truth plaint, “I won’t
Be seeing you so that’s
My gift;” such troves
Of pathos, harsh like salt;
And now, these twelve years gone, that hurt
Still stings, that memory, that fault.


All Passes

All passes, nothing can stay,
Time floods each stone in the way.

Live for decades, live a day,
All passes, nothing can stay.

Childhood illness, teenage fray,
Time floods each stone in the way.

Women and fame, making hay,
All passes, nothing can stay.

Great achievements, mind’s full sway,
Time floods each stone in the way.

Limping body, hair gone grey,
All passes, nothing can stay.

Rain-drenched grave, and none to pray,
Time floods each stone in the way.

Galaxies fail, space is clay,
All passes nothing can stay,

Time floods each stone in the way.

====================

© November 2015

A Pint of Bitter

Barman, draw a pint of ale:
The engine flings a stir of foam
Like milk into the herdsman’s pail,
Yeast-scented, rich as fruitful loam;
The beer, malt-brown or porter-black,
Creeps up the glass and undersits
That busy head, all white and smack,
Frothing with strength like a man in wits.
As more is pumped, it shoves the head
Inch by inch to the glass’s top;
Its first-froth done, its body shed,
That cream thins out to suds and sop.
The beer keeps flowing, pull on pull,
The skim laps at the glass’s lip;
Forced over once the glass is full,
It tumbles in a weeping drip.
Helpless, those shattered shreds let go
The glass they once were lively in,
And fall to slops like melting snow,
Dishonoured in the spillage tin.
Only stray strings of froth now drift
That brown-hued pint of bitter beer;
Expelled by growth, its fate was swift:
He who has ears to hear should hear.

====================
© November 2015

Monday, 15 June 2020

Night Woods in Fog

In 2013 and 2014 I made quite a number of night walks off-path through deep woods without torch or mobile, basically to see what it was like. This resulted in two long poems, 'The Woods at Night', posted on 13 April 2016, linked here , and 'Wood Trek', posted on 21 November 2018, linked here . The intros to those poems give more information on the conditions under which the walks were made. I thought that was it, but on 1 November 2015 (All Saints Day) a monstrous thick fog descended, just like the good old London pea-soupers those of us of a certain age remember well, and I could not restrain my curiosity to find out what it would be like to trek the woods in the dark and through thickest fog: 'Night Woods in Fog' records the experience. It being All Saints Day I also wrote a short lyric which follows as an addendum at the end of the poem. 

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Sunday 1 November 2015

November heath at twilight and the fog
Is sodden-thick, like wadding stuffed around
The looming gloom of beech and chestnut trees,
Gone vague as distant mountains; vista is
Destroyed, there’s only thick miasma, brown
As rats’ fur, clumping greasily on the grass.
Within that bulging mucous murk, made fawn
And grainy by the orange village lights,
There’s a sound of giggling girls and barking dogs
But nothing seen.
                               In minutes I’m alone,
Walking the metalled track to the incline’s lip
Which sinks into the woods. The village lights
Are distant, fading fast. A racing dog
With winking collar angles through the fog –
A shrouded walker follows with a torch;
They meld into the bilious gloom. My footsteps
Crackle and die. This mild moist night, I sweat.
    The clammy lychgate creaks; I pass into
The woods, descending into coal-black dark.
The leaf-fall crunches underfoot but makes
No difference to the swelling touch-felt silence.
Tramping the sandy bridlepath, night sight
Of sorts develops, though all it manages
Is grey mass told from dark mass; hint and squint
Are used to guess the fog crowding the crowns
Of oak and maple, tamping every fissure
With a sheeny sponge that’s matt and grubby to
The eye. And weird, at waist, outleaning mounds
Of rotting ferns define themselves as grey
And use-blanched dishcloths.
                                                   At the wood’s black depth
I leave the mud-sand path and strike into
The trees; I have the untracked route by heart
But all is changed by the cloud-thick darkness, brewed
By the bundling fog, infilling vistas used
In night sight to adjudge felt place and distance.
And since my last walk leaf drop has occurred
So that a sour-sharp mulch of birch and ash
And oak leaves, shrouding every half-hint waymark,
Has merged with trunk-trapped fog to make a screed
Of indirection that’s unreadable.
Stymied, I search that sludge-like dark for glims
Of fallen birch boughs, used to point my way;
Mole-blind, I miss them, shambling warily
In arcs to find a route; shins, knees and hands
Scour bush and bramble, flesh-stung, till at last
By hope and instinct in that flea-brown sump,
I fetch up panting on a stream’s wet bank.
    As if with cataract, I foot-feel hints
For the double plank across, now lost in leaf-pile
Which also swamps the stream; eventually,
I ease across, toe-led and darkness-blind.
On the far bank with step and step and squint,
I track the stream until the woodfloor slopes
And, thankful to respond, I turn uphill
Through tree stands clogged with solid palls of night
So that sensation is an only guide –
That instinct-memory that shifting masses
Truthfully tell the way. Short-breathed, ache-limbed,
I reach my goal at incline’s top. And stand.