Tuesday, 25 August 2020

"Oh Dear, Oh Dear"

A child in woe outside a shop,
Where was safety, where was love,
At home with her mother’s offhand flop
Or here with her father’s guiding shove?
   The pavement seemed to shake; she cried,
   Oh dear, oh dear.”

Her mother in spasmodic throes
Found time for her, but preferred to sleep;
Her father, following his nose,
Did much, but thought himself too deep.
   The pavement seemed to sink; she cried,
   Oh dear, oh dear.”

Children need little, a bite to eat,
Some rags of clothes, a toy or two;
But those who sit in the mercy seat
Should act as if they think it true.
   The pavement seemed to shiver; she cried,
   Oh dear, oh dear.”

Children are tough and soon grow to the full,
But do they forgive, will they forget?
There’s one who was tugged as unballed wool;
Her parents now crones, will she void their debt?
   The pavement seemed to shatter; she cried,
   Oh dear, oh dear.”

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© December 2015

Three Girls

Mária is pronounced with the accent on the first syllable. This sequence began as just the single poem "A Sea Shell." The actual sequence of "relationships," should anyone try and work out the chronology, is "Friendship," "The Smash Up" and "A Sea Shell." Not a glorious life achievement admittedly.

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1. A Sea Shell: Mária

Plucked thoughtfully from her hoard of shells
This glowing whelk shell, cream and whorled,
A gift from little Mária,
Displayed by me on shelves
Though years have tolled,
Insists that now she’s grown,
Forgetful of her one-time gesture,
She’s gone to make her life her own.

So end such friendships, time takes all;
Lovers depart and take their young;
That sea shell had a rock-struck flaw:
Old Adam’s taint, that quail
Of lust, more fun
Than love but cold as rain;
Her mother fled, I never saw
Sweet eight-years Mária again.

She picked her shells on Penzance beach,
Lightly dodging the grey-mood waves,
But oh her child’s-truth plaint, “I won’t
Be seeing you so that’s
My gift;” such troves
Of pathos, harsh like salt;
And now, these twelve years gone, that hurt
Still stings, that memory, that fault.


All Passes

All passes, nothing can stay,
Time floods each stone in the way.

Live for decades, live a day,
All passes, nothing can stay.

Childhood illness, teenage fray,
Time floods each stone in the way.

Women and fame, making hay,
All passes, nothing can stay.

Great achievements, mind’s full sway,
Time floods each stone in the way.

Limping body, hair gone grey,
All passes, nothing can stay.

Rain-drenched grave, and none to pray,
Time floods each stone in the way.

Galaxies fail, space is clay,
All passes nothing can stay,

Time floods each stone in the way.

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© November 2015

A Pint of Bitter

Barman, draw a pint of ale:
The engine flings a stir of foam
Like milk into the herdsman’s pail,
Yeast-scented, rich as fruitful loam;
The beer, malt-brown or porter-black,
Creeps up the glass and undersits
That busy head, all white and smack,
Frothing with strength like a man in wits.
As more is pumped, it shoves the head
Inch by inch to the glass’s top;
Its first-froth done, its body shed,
That cream thins out to suds and sop.
The beer keeps flowing, pull on pull,
The skim laps at the glass’s lip;
Forced over once the glass is full,
It tumbles in a weeping drip.
Helpless, those shattered shreds let go
The glass they once were lively in,
And fall to slops like melting snow,
Dishonoured in the spillage tin.
Only stray strings of froth now drift
That brown-hued pint of bitter beer;
Expelled by growth, its fate was swift:
He who has ears to hear should hear.

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© November 2015

Monday, 15 June 2020

Night Woods in Fog

In 2013 and 2014 I made quite a number of night walks off-path through deep woods without torch or mobile, basically to see what it was like. This resulted in two long poems, 'The Woods at Night', posted on 13 April 2016, linked here , and 'Wood Trek', posted on 21 November 2018, linked here . The intros to those poems give more information on the conditions under which the walks were made. I thought that was it, but on 1 November 2015 (All Saints Day) a monstrous thick fog descended, just like the good old London pea-soupers those of us of a certain age remember well, and I could not restrain my curiosity to find out what it would be like to trek the woods in the dark and through thickest fog: 'Night Woods in Fog' records the experience. It being All Saints Day I also wrote a short lyric which follows as an addendum at the end of the poem. 

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Sunday 1 November 2015

November heath at twilight and the fog
Is sodden-thick, like wadding stuffed around
The looming gloom of beech and chestnut trees,
Gone vague as distant mountains; vista is
Destroyed, there’s only thick miasma, brown
As rats’ fur, clumping greasily on the grass.
Within that bulging mucous murk, made fawn
And grainy by the orange village lights,
There’s a sound of giggling girls and barking dogs
But nothing seen.
                               In minutes I’m alone,
Walking the metalled track to the incline’s lip
Which sinks into the woods. The village lights
Are distant, fading fast. A racing dog
With winking collar angles through the fog –
A shrouded walker follows with a torch;
They meld into the bilious gloom. My footsteps
Crackle and die. This mild moist night, I sweat.
    The clammy lychgate creaks; I pass into
The woods, descending into coal-black dark.
The leaf-fall crunches underfoot but makes
No difference to the swelling touch-felt silence.
Tramping the sandy bridlepath, night sight
Of sorts develops, though all it manages
Is grey mass told from dark mass; hint and squint
Are used to guess the fog crowding the crowns
Of oak and maple, tamping every fissure
With a sheeny sponge that’s matt and grubby to
The eye. And weird, at waist, outleaning mounds
Of rotting ferns define themselves as grey
And use-blanched dishcloths.
                                                   At the wood’s black depth
I leave the mud-sand path and strike into
The trees; I have the untracked route by heart
But all is changed by the cloud-thick darkness, brewed
By the bundling fog, infilling vistas used
In night sight to adjudge felt place and distance.
And since my last walk leaf drop has occurred
So that a sour-sharp mulch of birch and ash
And oak leaves, shrouding every half-hint waymark,
Has merged with trunk-trapped fog to make a screed
Of indirection that’s unreadable.
Stymied, I search that sludge-like dark for glims
Of fallen birch boughs, used to point my way;
Mole-blind, I miss them, shambling warily
In arcs to find a route; shins, knees and hands
Scour bush and bramble, flesh-stung, till at last
By hope and instinct in that flea-brown sump,
I fetch up panting on a stream’s wet bank.
    As if with cataract, I foot-feel hints
For the double plank across, now lost in leaf-pile
Which also swamps the stream; eventually,
I ease across, toe-led and darkness-blind.
On the far bank with step and step and squint,
I track the stream until the woodfloor slopes
And, thankful to respond, I turn uphill
Through tree stands clogged with solid palls of night
So that sensation is an only guide –
That instinct-memory that shifting masses
Truthfully tell the way. Short-breathed, ache-limbed,
I reach my goal at incline’s top. And stand.

Tuesday, 28 April 2020

November Lime Tree

   This misted November morn
The thin-top lime has blazed with fire,
Summer’s sea-green swells have shorn
To scanting leaves upon a pyre.

   Such burnt-gold radiance
And toffee hues of red and brown
Transform the yellow salience
And last-gasp green across its crown.

   The grey mist drifts in shrouds
And damps the bole and fallen leaves,
A robin sings with sharps and louds
Then shakes its wet-spot wings like sleeves.

   Such silence, nothing stirs;
My breath like worlds floats mist in mist;
A drip of drops taps on the furze
As dew glides from a leaf’s dead twist.

   What tart smell of decay! –
Of rotting boughs and frost-strung earth;
This lime will fling its leaves away
And blackly suffer winter’s mirth.

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© November 2015

The Wild West

On 22 April 1889 a large part of central Oklahoma, 'bought' from the Creeks and Seminoles at a rock-bottom price, was opened up to settlers. In the space of twenty-four hours at least 50,000 people flooded into the area and staked every available acre. Ten more openings occurred during the next few years. The Indians were moved onto low-grade reservations with few resources where they mouldered away. The story is told in David Lavender's hugely-informative Penguin Book of the American West. Let those with eyes to read read.

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In land rush Oklahoma, Creeks and Seminoles
Watched helpless as, bamboozled of their rights,
The “Boomers” in their thousands claimed with spade and poles
The land, each loamy inch from plain to heights.
That brute wave irresistible, the Seminoles
And Creeks were thrust aside in dead-end bights,
   And law was what the Boomers’ frowns made known,
   Self-serving, shifting, implacable like stone.

In days, huge townships, numbers strong, sprang up, complete
With schools and stores, with newspapers and fanes;
Just so, through England’s fields another rush replete
With self-sure surliness fills trains and lanes
That towns engorge and brusque-shoved natives make retreat
To hamlets or estates to mourn their pains.
   In streets Slavs’ peevish whine makes sharp the air;
   And mosques in county towns crouch still and stare.

Those Indian tribes collapsed, forced crudely from their lands,
Fair prey for gun rule, agents’ glib-hand tricks;
On grassless reservations of cold skies and sands
They mouldered, lawbound, chivvied, scarred with kicks;
Far-off, the game-horde prairies like bestowing hands
Bemourned their dust-filled blankets hung from sticks:
   Arapaho dance their Ghost Dance, though in vain,
   That hard-lost times of honour come again.

In Britain now, a thinned-out culture breathes its last,
Cities are souks, old ways do not suffice,
Millennia folk, ensnarled by laws their leaders passed,
Are crushed as land-grab masses twist the vice;
Belief and practice packed away, the Christian caste
Trades off its churches at the highest price;
   And birth-bred nuance from a tree is hung,
   Language becomes lingo and fists are swung.

What follows? No-go ghettos face off new and old,
The thought-world of old Britain is remade,
Those faiths and customs of the settlers, taking hold,
Wrestle for dominance with threat and blade;
Such Wild West dogfights favour Islam’s stubborn fold:
The British, flung out from their last stockade,
   Will, like those dancers in their hopeless tread,
   Crumble to history in the dust, their bed.

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© October 2015