Wednesday 25 October 2023

Cornish Gorse

"Artics" is trade slang for articulated lorries; "scrans" is/are foodstuffs; "Castle Chûn" is really Chûn Castle but rhythm required a reverse; if you choose your spot on Penwith moors you can see the sea to north, south and west. "Q-C" is "Q" - pseudonym of Sir Arthur Quiller-Couch, whose home was in Fowey, which he immortalized as "Troy Town" in a number of hugely readable novels and stories. "Q-C" was required for the rhythm.
   By way of comparison, here is a link to my 1979 free verse poem "The Ridgeway Above Wroughton" posted on this blog on 18 April 2012.

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What is Cornwall but gorse in flower,
   Frothing in sud-clouds hour by hour,
Yellow as butter in honey dipped,
   Come April when the sun’s wide-lipped
And now-hot smile prompts all that lives
   To a vying grapple – one grabs, one gives –
As growth and propagation surge
   And fledglings, flowers and crops emerge?
The moors and heaths are a cloth of gold
   Billowing to tors by the West Wind strolled,
Rising steep above the slatey towns
   Which gaggle their skirts, all greys and browns;
The Western Highway, curved or straight,
   Shadows their contour, always in spate
With artics, cars and tradesmen’s vans
   Packed with goods or tackle or scrans;
They turn off to the pre-fabbed trading parks
   Speared by the rail line with its rushing barques,
Homing on Redruth, Hayle, Penzance,
   As granite-solid as a Scottish manse.
And always pressing is the Western Sea,
   Never distant, especially
At Castle Chûn, high on the droop
   Of Penwith’s toe, where merlins stoop:
Spring-warm blue or gale-scrubbed green,
   Two Channels’ waters leap and preen,
Hugging the land, that south or north,
   From the gorsy heights, you might plunge forth,
Wind-held, and headlong down to dash
   Like Icarus in those waters’ plash.
That gorse in thicket, bush and clump,
   Spiny, dusty, green of rump,
Rears six-foot tall, packing its flanks
   With two-inch spikes: behind their shanks
The chats and linnets, crimson and pink,
   Dodge shadowily, all flutter and jink,
And later, airborne, unstoppable, qweep
   Their twittered water-notes, springs then neap.
The bushes’ trunks and fallen twigs –
   Whitey-brown barked – pile spines and sprigs
In flaky rubbish, bramble-crept,
   And, beak-prodding, by the linnet swept
For nesting things: those thickets’ depths,
   As darkling as the silent breadths
Of Norsemen’s forests, nevertheless fling
   A flourish of flower that if shrubs could sing
They’d hymn the sky’s tall china-plate blue,
   Its arc amplifying the wind’s mew.
What a haul of buttery yolk,
   A million pin-points like coins on a cloak:
Arms-length in swathes, tight-clustered with blooms,
   The prickled branches like ropes loosed from looms,
Or like lupins or gold-toothed corn on the cob,
   Swing stiffly in the wind’s volley and lob.
Unopened, like almonds the flowers clench,
   Browned and downy, waiting the drench
Of spring-tide sun. All prompts in place
   They flare frankly like a youngster’s face:
The sepals fall back, the petals reach out,
   They’re blatant in colour like a new-born’s shout;
Orangely-gawping like nestlings’ throats,
   Tempting the wind-knocked bees like motes:
Yellow with fission the gorse is aflame –
   All over Cornwall it’s one and the same!
And way back, for May Day the lads gave girls
   Luscious gold sprigs to brighten their curls;
And since once in bloom the gorse doesn’t cease
   Till December’s end to spread out its fleece,
Like a Troy Town saw which Q-C knew,
   Earthy and cheery the old saying’s true:

        Kissing’s out of fashion,
        When the gorse is out of blossom.


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© April 2021